But the production compresses all of the action into one 90-minute production. The set by Frederica Nascimento brings a “refreshing modernity” to the play, writes McNulty. Henrik Ibsen’s “Ghosts” has landed at the Odyssey Theater, in a production directed by Bart DeLorenzo. “ Andrew Morrill and Alexandria Wailes adapted the play into American Sign Language, but it’s the art of the actors that augments the effect of universal physical communication.” “Gesture and movement express the passion and fury beneath the play’s words,” writes McNulty of the production. Now on view in the outdoor theater at the Getty Villa - the perfect venue during a brutal heat wave - the show was directed by Jenny Koons. “But the demands of theater aren’t easily contained, and an artistic director needs to be on hand, minding the unruly store.”ĭeaf West has reimagined Ian Johnston’s “Oedipus the King” as “Oedipus,” a theatrical production that fluidly blends gesture and spoken word.
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“If anyone could figure out how to synergize the creativity of a city dominated by film and television yet overflowing with theatrical ingenuity, I was certain that it would be Shakman,” he writes. Times theater critic Charles McNulty mulls over what it means for the Geffen to lean on Hollywood talent for leadership. Matt Shakman, split between theatrical and cinematic duties, is stepping down as artistic director of the Geffen Playhouse. We regret the error! On and off the stage The second is all about bus shelters - and in that case, there is a solution, and it’s right under our noses (or, more accurately, right next door).Īddendum: Last week’s newsletter incorrectly identified dancer Sugar Vendil. The first is related to safety and Metro stations that can feel lonely and untended. Advertisers don’t want to be in dead zones, so shelters tend to be installed in locations that will deliver return on investment, rather than in areas where riders are being broiled by the sun.īeyond policy, there are design issues at the root of some of these problems. (At one point, installing a bus shelter required 16 approvals from various city agencies, including the offices of individual council members.) It’s also a system driven by eyeballs rather than necessity. It’s been an effort hampered by municipal red tape. Other issues are of the government’s own making: For two decades, the city has worked with an outside contractor to build bus shelters that would generate revenue through advertising.
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